Monday, May 20, 2019

Citizen Kane (1941)

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Emily: Really Charles, people will think...
Charles: ...what I tell them to think.


Well it is true. I didn't think it would be.  But we all live in a post-Citizen Kane cinematic world. Having never seen it before, I tried to withhold judgement, but I failed. Each and every shot is designed, planned, positioned, and perfected. It was like watching a clip show of films I am now aware copied it. Source material is so vibrant. 

It's hard to describe the concept that modern viewers are programmed to respond to certain tropes, cuts, blurs, and omissions. We all implicitly understand the underlying storytelling structures of the media around us. Think of it like different eras of music. Baroque, Classical, Romantic, the Blues, Jazz, etc. The people of the time just got it. And 78 years later, I still just simply get it. Citizen Kane is the Brocca divide between the classical cinematic world and the blues. It established the 12 bars. 

Everything from bleeding images, films within films, low angle shots, shadow work -#Dontcolorize- 360 positioning, time cuts, and more built a new language. A cinematic framework that flows. 

The cinematography and directing set it apart, but the additions of a sharp script, wonderful acting, and the sad/poignant mystery of rosebud, make Citizen Kane an iconic classic. 

4.39 out of 5 stars

Saturday, May 18, 2019

Spirited Away (2001)

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"A human! You're in trouble!" -Lin

Here are few haiku's the express my thoughts on Spirited Away

Capitalism
Greed was death to the Kami
Rivers don't return

Could we be the pigs?
Does a trough fill our spirit?
Insatiable hole

Childhood ends in choice
The looking glass goes one-way
"Hei-sei" not "Rei-Wa"

In short, Spirited away is deep and wonderfully strange. 18 years on it is still jarring and relevant. Thought I am not sure how children feel about it. I'd have to ask them. I was not a child at the time, and that sensibility has not returned.

4.19 out of 5 stars.

Sunday, May 12, 2019

Django Unchained (2012)

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Calvin Candie: You, sir, are a sore loser. 
Dr. King Schultz: And you are an abysmal winner.

I like Tarantino films. I'd be saving this one. Lot's of people, who's opinions I respect, say this is one of his better films. And after watching, I admit that anything Tarantino directs rises of above schlock and into serious consideration. And the quality is HIGH. Unfortunately, when I compare Django Unchained to this other films, pre and post. It's not one I would revisit.  Top class, not top shelf.  Perfectly reasonable to disagree. 

Here's why? 

  1. It's too self-aware
    1. There are times and films where lines/decisions that slightly break the 4th wall or are taken for the gratification of the audience are wonderful. I think that Django proved a little too serious to benefit from those call outs unlike say "From Dusk till Dawn". 
  2. Incongruous music
    1. Having recently revisited Reservoir Dogs, where in a 1990s movie has a 1970's soundtrack. I love it. Even a Knight's Tale weirdly works. And I admit that "I've Got a Name." does capture an emotion...I don't think that's the bar for Django. Era or even closer era music might have been a step up.  This all a long way of saying that the song choice broke my beta mode of watching Django. 
  3. The feeling of a lack of research
    1. I am not questioning that Quentin Tarantino didn't do research in preparation for Django, I just think -emphasis on the think-that it involved more watching 1950-70's Westerns and 1970 Blacksploitation films. He's done this before. Unfortunately, Django might have benefited from slightly more era specific understandings.  Maybe he did. But, I didn't feel like it. (ahhhh feelings.)
There was much to love though.
  1. I think this might be my favorite Sam Jackson performance. 
  2. Leonardo DiCaprio was lost in the performance. And that was the amazing thing. 
    1. It's very compelling to see racism depicted not as pure cruelty but cruelty in the amoral pursuit of capital and the defense of the status quo.  There is no other way. Racism/slavery IS the only option and cruelty is the only process to achieve perpetuity.  "Candyland will be here forever."
  3. Jamie Foxx's outfits. -great costuming. 
4.0 out of 5 stars.