Emily: Really Charles, people will think...
Charles: ...what I tell them to think.
Well it is true. I didn't think it would be. But we all live in a post-Citizen Kane cinematic world. Having never seen it before, I tried to withhold judgement, but I failed. Each and every shot is designed, planned, positioned, and perfected. It was like watching a clip show of films I am now aware copied it. Source material is so vibrant.
It's hard to describe the concept that modern viewers are programmed to respond to certain tropes, cuts, blurs, and omissions. We all implicitly understand the underlying storytelling structures of the media around us. Think of it like different eras of music. Baroque, Classical, Romantic, the Blues, Jazz, etc. The people of the time just got it. And 78 years later, I still just simply get it. Citizen Kane is the Brocca divide between the classical cinematic world and the blues. It established the 12 bars.
Everything from bleeding images, films within films, low angle shots, shadow work -#Dontcolorize- 360 positioning, time cuts, and more built a new language. A cinematic framework that flows.
The cinematography and directing set it apart, but the additions of a sharp script, wonderful acting, and the sad/poignant mystery of rosebud, make Citizen Kane an iconic classic.
4.39 out of 5 stars